History of Akshardham

Akshardham            Akshardham at Gandhinagar is one of the largest temples in the Indian state of Gujarat. The temple complex combines devotions, art, architecture, education, exhibitions and research at one place. The monument which is set in a 23-acre plot at Gandhinagar (Gandhinagar district) is built in pink sandstone. It is 108 feet tall and 6000 tonnes of stone has gone into its making. A point worth noting is that this modern monument to Hinduism was built as per the injunctions of Vastu Shastra. Not a bit of steel has been used. The monument stands on sculpted pillars, 210 single-piece stone beams, 57 window grills, domes, eight ornate zarokhas, etc. The sanctum sanctorum contains a 1.2 tonne gold-plated idol of Lord Swaminarayan, the founder of the sect that bears his name. The 7-foot idol is shown in a sitting posture with his right hand raised in abhay mudra. He is flanked by Swami Gunatitanand on his right and Swami Gopalanand Swami on his left. Both of them were his disciples. Swami Gunatitanand is called Swaminarayan's Akshardham the eternal abode. According to the Swaminarayan philosophy whenever Lord Swaminarayan incarnates on this planet he brings with him his Akshardham.

Gunatitanand Swami is also called Aksharbrahma and ranks second in the hierarchy of the Bochasanvasi Akshar Purushottam Sanstha which built the Akshardham monument.

Inspiring episodes and incidents from the glorious history of Sanatan Dharma are presented in sound and light form for the benefit of the visitors. The show takes the visitors through various facets of Hinduism. So far millions of people have visited the monument since its inception on November 2,1992. They have been able to savour the story of Hinduism and to imbibe the message of universal peace and brotherhood.

The wisdom of the Vedas, the epics, the Puranas is depicted on a crowded canvas by the exhibition. The visitor comes face to face with personages who have made this land what it is.

It is a perfect mix of modernity and ancient values. Apart from Lord Ram going in search of his kidnapped wife, the visitor can see Shravan, the dutiful son, the Pandavas losing the game of dice in the Hastinapur palace, etc. Besides the visitors can see Sabari's long wait for Ram and Draupadi's humiliation in the Kauravasabha.

The Hall of Harmony projects world religious side by side. The monument is ringed by aparikrama containing 365 stone pillars.

Qutub minar

Flashback of Qutub minar

The tall and ever attractive monument of Delhi which can be seen from most parts of the city is called the Qutab Minar. Every body has the same question when one sees the structure for the first time. The question that is often being put up is "Why the monument is that big?" or "Was there any specific reason to build such a tall building or it was just a wish of the person who built it?" Well, the exact reason is assumed to have something related to commemorating the victory. Mughals used to build victory towers to proclaim and celebrate victories. Some say the minaret was used to offer prayer but it is so tall that you can hear the person standing on the top. Also, the minaret is not joined on to Qutuddin's mosque and the Iltutmish's mosque.

Qutab Minar is among the tallest and famous towers in the world. The minaret is 234 feet high and the highest individual tower in the world. Other towers in the world are the Great Pagoda in Pekin, China and the Leaning Tower of Pisa in Italy but these towers are not as high as the Qutab Minar in Delhi.

According to history books, the minar was started by Prithviraj or his uncle Vigraharaja who won Delhi from the Tomar Rajputs. However, it is assumed and historians believe that Qutubuddib and Iltutmish finished it though the minar may have been commenced by Prithviraj or Vigraharaja. The minar was completed in 1200 A.D and since then the tall structure has been there upright and ever beautiful keeping an eye to Delhi just like a sentry.

When Alauddin returned from the wars in the Deccan, he had this thought in mind that he would build a victory tower somewhat similar to the Qutab Minar. The ruins of this very initiative can be seen adjacent to the Qutbuddin's mosque because Alauddin died at the very start of the construction work and no one carried on to finish the initiative taken by Alauddin.

Qutab Minar is another great masterpiece of Mughal architecture. It has a number of floors or storeys which has beautiful carvings like the one on the tomb of Iltutmish. There are inscriptions all round the tower and these inscriptions reveal that Iltutmish finised the tower. The structure of the wall is made as such that it widens from top to bottom, just to make the minar stronger.

Moving upstairs inside the minar will give you a wonderful experience and counting the stairs is always a fun for visitors. It has 378 steps which takes good amount of energy to reach at the top. The top of the tower gives an insight to Delhi because you get to see the bird's eye view of the city.

To point a few sight seeing from the top, you will find views of the Hauz Khaz on the left and the walls of the Jahanpanah and Siri on the right. It was this very top of Qutab Minar that was used by Khilji and Tughlaq kings to watch the wild Mongol hordes when they threatened Delhi. The top also served as the watch top for Tughlaq who watched Timur's army camp on the Wellingdon Airport. Other important monuments that is visible from the top are the walls of Tughlaqabad, Humayun's Tomb, Purana Qila, Firoz Shah Kotla and Jama Masjid.

The minar did receive some damage because of earthquakes on more than a couple of occasions but was reinstated and renovated by the respective rulers. During the rule of Firoz Shah, the minar's two top floors got damaged due to earthquake but were repaired by Firoz Shah.

In the year 1505, earthquake again struck and it was repaired by Sikandar Lodi. Later on in the year 1794, the minar faced another earthquake and it was Major Smith, an engineer who repaired the affected parts of the minar. He replaced Firoz Shah's pavilion with his own pavilion at the top. The pavilion was removed in the year 1848 by Lord Hardinge and now it can be seen between the Dak Bungalow and the Minar in the garden. The floors built by Firaz Shah can be distinguished easily as the pavilions was built of white marbles and are quite smooth as compared to other ones.

The minar is not that erect as it used to be because of wears and tears over the past several years. Closely looking at the mina rives you an idea that it is somewhat tilled towards one side. The minar is very sincerely looked after by the authorities much like the same as other historic monuments in the country.

Red fort

History of RED FORT

The history of Red Fort Delhi cannot be summed up in words as its history is connected with centuries of Mughal rule in country. Mughal ruler Shah Jahan had varied needs of this fort and it was made according to those needs. The mammoth sized fort made a distinguished presence in the medieval time of India and is related to the time line of this country to this date.

In 1639, when Mughal ruler Shah Jahan transited his capital from Agra to Delhi, the construction of Red Fort was ordered by him in the north-eastern side of the newly founded city of Shahjahanabad. Shahjahanabad in present day is known as Old Delhi. The construction took nearly a decade to complete, and Yamuna water was used to feed the moat built all around the fort.

The construction of Red Fort by the sandstone of red color in large scale gave it the name Red Fort. The majesty of the fort is the first thing to notice but the red color became an essential feature of the aura of the fort and is easily recognized with it. The magnitude of the size of the fort can be estimated by the fact that it took ten years to complete the fort. It has almost two and half kilometer perimeter with tallest structure of 33 meters. The fort has become one of most sought after tourist destination in the modern time.  

History of Red Fort Delhi reveals that numerous sections were built in the fort according the specific functions and needs in mind. “Deewan-e-Aam” is hall built for general public to interact with the emperor. It has a string of columns made of Gold with rail that would mark the boundary between people and the king. “Deewan-e-Khas is another hall made up of natural stones which was used for privately held meetings of the emperor.

Many other such marvels of architecture are present in the fort like the “Hammams” or the bath places specially built for the royal family. “Shahi Burj” is another place where the emperor’s office was built and the emperor spent time working privately. “Rang Mahal” or the Palace of Colors was a special place built for the wives of the emperor. It has a huge pool spot with beautiful crafted ceiling, having gold covered towers and a number of mirrors in arrangement.

“Naqqar Khana” is a place in the Fort where the musicians would play music specific to the particular time of the day. This place is situated at the very entry to the palace and visitors to the Place would disembark from their ride (elephants) at this place.

All the information about the history of the Red Fort Delhi is of the archeological importance or of tourist related activities. Red Fort being close to some other historical monuments also e.g., Jama Masjid and Raj Ghat gets large number of tourists every year. Also the Red Fort is used for addressing the nation on the Independence Day of India by the Prime Minister each year.

Lotus Temple

Lotus Temple

The Lotus Temple known as the Taj of modern India is a distinctive lotus-shaped marvel in marble surrounded by a landscaped garden. This architectural marvel of the Bahai faith is essentially a symbol of peace. In the Bahai's Holy Writings great importance is given to prayers as is revealed in all the scriptures. According to Bahai faith the mere act of praying is not sufficient. The inspiration drawn from one's prayers must be translated into action which promotes the well being of humanity. 

 Lotus Temple History

The temple was completed in 1986. On its completion, Construction News, a technical journal from the United Kingdom was the first to give the Lotus Temple the appellation of Taj Mahal of the 20th Century. The comparison brings to mind the words of the famous Indian poet and philosopher, Rabindranath Tagore, who described the Taj as "a teardrop on the cheek of eternity". Considering that the Bahai House of Worship is an affirmation and a celebration of man's love God the Lotus Temple could be described as "a dewdrop on the brow of eternity". Similarly Indian Express referred to the fact that while the Taj is an expression of deep personal love the Lotus Temple symbolises love between Man and God.

In World Architecture 1900-2000: A Critical Mosaic, Volume 8, South Asia, the Lotus Temple appears as one of the 100 canonical works of this century. The book is part of a series of 10 books organised by the Architectural Society of China and endorsed by the International Union of Architects, in co-ordination with the XX World Architects Congress convened in June 1999 in Beijing, China. The book describes the temple as a powerful icon of great beauty that goes beyond its pure function of serving as a congregation space to become an important architectural symbol of the city.

The temple has also won several awards. Fariborz Sabha, the architect of the temple, was given an award in 1987 by the International Federation for Art and Architecture in USA. Further it received an award for its structural design from the Institute of Structural Engineers in UK. It also won a Citation Award for personifying the visual impact of the beautiful Lotus flower and received an accreditation for its outdoor illumination in the year 1988. The American Concrete Institute gave the temple an award for being one of the most artistically built concrete structures. In the year 2000 it received the "Glob Art Academy Award" from Glob Art Academy in Vienna. So, whenever you visit Delhi, do see this particular masterpiece which offers a strong message of wisdom, peace and tranquility.

Lotus Temple Attractions

The Bahai House of Worship at New Delhi is one of the marvels of modern architecture. The temple gives the impression of a half-open lotus flower afloat, surrounded by its leaves. The shining pure white marble, the majestic dome, the petals clearly standing out create a sense of awe. The temple is surrounded by walkways with beautiful curved balustrades, bridges and stairs that surround the nine pools representing the floating leaves of the lotus. It is a remarkable tabernacle of peace and beauty and an engineering feat that will set standards for centuries.

The temple complex consists of the main house of worship with a basement and the ancillary block, which houses a reception centre, a library and the administrative building. The library contains a rich collection of religious books. Besides, there is also an hourly introductory audio-visual presentation for the visitors.

The inner dome is spherical and patterned after the innermost portion of the lotus flower. It is like a bud consisting of 24 petals and light filters through these inner folds which is diffused through the central hall. While the flooring inside the auditorium is of white marble, the walkways and stairs of the outer portion are of red sandstone, offering a majestic contrast.
The Lotus has three sets of petals. The outermost set of nine petals, called the entrance leaves, open outwards and form the nine entrances all around the outer annular hall. The next set of nine petals, called "inner leaves" appear to be partly closed and rise above the rest and form the main structure housing the central hall. Since the Lotus is open at the top, a glass and steel roof provides protection from rain and lets in natural light in the auditorium.